Vernissage Sunday, May 11, 2014 17:30

The exhibition Should I Stay or Should I Go  Escape and Persistence” is divided in two opposite and parallel pathstwo poles that are defined relative to one anotherthe escape and that of persistenceOn this occasion, in fact, the two artists have chosen to go to the bottom of each one of two pathsone of the two movements that are also two attitudestwo approaches to reality. Both the roads all the way, in a game that the partiesin triggering a dramatic tension between the two endsit reveals the rolloverit is impossible for one to do without the otherValentina Lapolla presents photographs and sounds on the runtraveling without hope of successreal or imaginary boundaries to faceIf the leave had already been the focus of a number of his works in this exhibition, the investigation into the escape becomes more systematicalmost to explore the different possibilitieslike a fugue with its themeIn all the works presented the gesture of escape in the work determines a time dimensioncreates a before and afterin the absence of a true story is a narrative dimensionWith many references to literaturefrom the stories of Alice Munroto those of Kafkathe myth of Orpheusthe works presented in the exhibition are reminiscent of the actorsprotagonists of an traveling without hope of success, real or imaginary boundaries to face. If the leave had already been the focus of a number of his works in this exhibition, the investigation into the escape becomes more systematic, almost to explore the different possibilities, like a fugue with its theme. In all the works presented the gesture of escape in the work determines a time dimension, creates a before and after: in the absence of a true story is a narrative dimension. With many references to literature, from the stories of Alice Munro, to those of Kafkathe myth of Orpheusthe works presented in the exhibition are reminiscent of the actorsprotagonists of an imaginary pieceLooks like a performer, in fact, the photograph of “Born to Run“, that taking the title literally flees from its frame, leaving the ground breaking glassas well as the gaps that portray the story “Life in the City” of KafkaResult of a performance also two photographs Orpheus,” and the sound installation Eco”, in which the sound is literally on the run from the bodyit is up to the size acoustic bring in direct contact with the actionin an intimacy that is also elsewherean ideal destination for any escape attemptFederica Gonnelli try the opposite paththrough the overlaps of materials that characterize itobsessive repetitions and resistancestries to take rootto counter the adverse forcesto persistthe central themes and fundamental research of the artist. In the video installation (P) and (r) existence“, where the artist comes into play in the first personis the use of the obsessive repetitionmultiplied and duplicated on the visual device of the mirror boxto help us to remain in balance in this difficult time both in terms of social and economic termsPersistence can be found also in the use of layering and transparency of that particular device that every work implementsA restituted in a place that is also to the installation “Regret”, where the title plays with himself by referring to regret in the sense of putting a plant in the ground againOne of the materials used by the artist is a veil that allows the look to cross it andat the same timerestraining it, so as to allow a perception that it is fully spatialAs in the works on the wall of the series resistance, the result of the overlap between the investigation of a theme and contemporaneity of a life that has to do with the wool industryshowing the human figure within the workspacenow abandoneddue to the overlap of the printed image on the image of organza fabric.

FUGA2rsz_imgx2094-0755

 FUGArsz_imgx2107-0768

FUGArsz_imgx2112-0773

 FUGArsz_imgx2119-0780

 FUGArsz_imgx2122-0783